A tad bit sad slow it is also blessed with beautiful singing on Kumar Sanu’s part. “ Tu Meri Zindagi Hai” is a slow ghazal styled number which is short and sweet. The song is a wordy tune that does entertain and still carries beautiful orchestration, though some parts carry the Nazar Ki Samne music. Udit Narayan’s solo contribution to the soundtrack in “ Mera Dil Tere Liye” doesn’t stand out as much because of the song itself. Again Anuradha Paudwal and Kumar Sanu sing beautifully, though Sanu does hit the nasal portions at times. Starting off much differently than all of the other tunes on the soundtrack, the tune is more techno styled (that’s not saying much for the time it was released), Rani Mallik is just perfect with her lyrical contribution to the soundtrack. The second contender for being number one on this beautiful soundtrack would be “ Dheere Dheere Se Meri Zindagi Mein Aana”. Still prevalent with other sounds, the song is enhanced with Sameer’s beautiful lyrics, “Tanhayee Jeena Na De…Beechaine Tadapaye…”, and excellent singing by Kumar Sanu and Anuradha Paudwal. They use the dholak excellently until the last minute. Sameer is fine form here.Ī slower tune, “ Nazar Ki Samne” is a song highly filled with jhankar. Though the musical base can still be heard in few of N-S’s songs now, this song blends it all together sounding much better than the numbers they have been giving us lately. Orchestration, drum use all contribute to the beautiful songs. A male and female version each holds excellent singing by Kumar Sanu and Anuradha Paudwal. One can’t really pinpoint the best song of the soundtrack, but the title track, “Bas Ek Sanam Chahiye” would certainly be one of the biggest contenders. The verses too are showered with wonderful instrumentation. The harmonica intervals and the light drum base blend wonderfully with the violin orchestration. A little slower, the duo is perfect in preventing their voices from sounding redundant. “ Main Duniya Bhula Doonga” is another meaningful romance song with Kumar Sanu. The opening track “ Jaane Jigar Janeman” exemplifies just that but works more because of Sameer’s excellently romantic lyrics which provide the accurate rhythm to the effect of the music on Nadeem-Shravan’s part. In recent songs they’ve been using it a lot, but do mange to provide something different in the music. The piano, saxophone and jhankar beats have always been N-S trademark. Singing eight out of the eleven songs as a male vocalist he simply delights! This was also one of Kumar Sanu’s biggest soundtracks. That being the case her voice is at the right alto throughout each of the tunes. She’s not used as much now in songs, but as is with most T-Series soundtracks she’s all over this soundtrack, the only female singer in fact. Aashiqui is one of the best romantic soundtracks that Bollywood has seen in the nineties.Īnuradha Paudwal was a popular singer back then when composers didn’t want Lata or Asha etc. Any Bollywood music lover has probably heard the beautiful, “ Bas Ek Sanam” once, and would have definitely hit the repeat button after words. Aashiqui, a T-Series gem whose recognition was received musically because of the super success the film faced, is a musical soundtrack that remains an excellent listen today, twelve years after the film released. The soundtrack that shot Nadeem-Shravan into stardom was released ironically under a label that refuses to release any of their soundtracks any more, T-Series. “It’s won over thirteen awards! That’s a record for a newcomer soundtrack!”- Says Nadeem. Singers: Kumar Sanu, Anuradha Paudwal, Udit Narayan Planet-Bollywood - Music Review - Aashiqui
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